following critically acclaimed releases from eduardo de la calle, refracted, and monomood, connwax returns with another exceptional offering of bold and original techno. for this release, they have enlisted the help of a rising young talent in berlins underground scene: akme. the producer and resident dj of renowned club, about blank demonstrates his uncommon technical precision and emotional depth with this debut ep, drawing on his vast array of influences and experiences across all genres. in elements, the bass drum takes centre stage. the engine room relentlessly driving everything forward. yet as the track develops, a fine lattice work of detail starts to unfold. meticulous percussive elements imbue the piece with an enigmatic depth as a sombre melody sweeps through the rough rhythmic landscape. we are allowed a brief moment to reflect before the bass drum continues its inexorable path forward. akme takes a more reduced approach in black matter space is left for the interplay between the understated acid bassline and delicate hi-hats to lock the track into a hypnotic groove. here, the statement is defined by what is left unsaid. for the final track concealing, ak

die sprache der trommeln - eine rhythmische reise durch genres und kontinente.

for our first release of 2017 rnt welcomes hade! best known for his work on local talk and basic fingers, the cologne native delivers a symmetrical 2 sides of disco edit barnstormers and downtempo head-nodders. from the beefy kick drum thump of say what you wanna say and my thang, to the obscure yet memorable sample sources of jeep cherokee xj and range rover hse, this is one to get the party shaking!

elliott thomas, aka etbonz, portlands prodigal son, touches down for the first time on loveon the rocks with my kinda future. etbonz, the lovechild of buckaroo banzai and thetalented ellen ripley, utilises the latest krystalvision technology over this eleven and a half minute opus to bring you to the edge of a future where maybe, just maybe, arnold didnt kill the predator.. where some wild-eyed, eight-foot-tall maniac grabs your neck, taps the back of your favourite head up against the barroom wall, looks you crooked in the eye and asks you if you paid your dues. where you cant even get to the chopper, because kurt russell is in the cockpit with a head full of acid, wearing a hat made of drum machines. should we check it out? or just check into a psycho ward? whichever comes first, huh? its a kinda future that leaves you asking yourself, if i am not me, then who the hell am i? am i prins thomas? what is a diskomiks? you ever fuck a mutant? tall guy, weird clothes. first you see him, then you dont. the best mindfuck ever!

eye can see the darkness (in the end of the tunnel) is a shot of light in the dark cavern of a broken heart. blinded by the lights rips apart the heart-string orchestra rather than just pulling on the strings. a love ballad lost in the haze of the mid-summer, faded to blue and repackaged as a gentle and tender winter anthem. sharing the a-side with the lucid dreaming of jeremiah r on the drum-heavy remix.
on the flip, i am not him is a filter-squelching, bass-slapping meander into green haze territory, that finally erupts into a swagger of familiar detroit-channeled drums and steady faded pads. outernet grumbles up the black-hole cosmic radiation with an industrial-tinged number that plunges the depths of deep-space. proper growling and clanging synths to add the right amount of raw, just at the end.

brussels based young producer lostsoundbytes develops an haptic music, diving sometimes into cryptic and anxious foggy areas through analog materials experimentations. drum machines dives into the mud, acid lifts, synthetiseur flying over the swamp and gusts of claps . after split release on land of dance & lost dogs entertainment, he gives a slice of weird acid-industrial-house and makes no compromises on activities records.

the album a little comedy, a little drama by dusty baron is the result of collaboration of moldavian fellows eugen kara, ivan slivka and dima scripnic. this collaboration has been lasting in the course of 2016, with miscellaneous recordings at home studios, including moldavian radio and television studio. inspired by french and italian psychedelic electronic music of 60s and 70s, cartoons and the comedian genre of absurd, the trio tried to incarnate their vision of the space into a lp comprising 13 tracks. vintage synthesiser lines and classic drum machines create a hugely entertaining blend intoxicated with universal love. now and then you trace the combinations of techno rhythms rushing into the futuristic vertical, and sometimes the sound transforms into a blend of absolute and exotically influenced reverie.

on let go & release yourself! ep, jamal moss and steve poindexter return with 3 tracks of straight bugged-out freakness and manic drum mechanics. the unbearable tension on the a side is a tweaked-out acid stomper, while the release and the title track back off slightly, but not much!

finnitus is back with its first 12- release! spanning the entire a side, superkind, consisting of rulefinn and kim durbeck, delivers a driving disco bass line, epic strings and screaming laughter, which the glue dubbed as the weirdest thing we ve heard in our entire lives . on the flip, rulefinn drops just try , a nine minute slow jam, slowly building to a climax worthy of finishing your perfect night at the club, and let the ok music play , an intense disco drum tool in his favourite bpm range(130s).

* roots pt. iii* is the third installment in petter b s series of homages to his roots of techno. this time with trippy pads gliding across creating a soundscape. on the b-side you find a new drummer track, also a name which has become synonymous with bond. this straight and no-bull-shit-groove continues the names proud tradition. as the inner track on the b-side there is a vocal driven track with spaced out sounds flying by. all accompanied by a heavy drum and slowly evolving hi-hats.

next release mmaudio, this time with the label’s founders drafted and unthone for an exclusive exit in split, including the remixes respectively of tadeo and andrea. drafted in more sustained and steady speed flow in ethereal gates, with regular ascents and descents, tadeo here has worked on a remix dedicated to club, direct and with sci-fi style, with a drum percussion, clean and always effective. while unthone with fleeting moments embodies the idea of ambient, dark and dub, with influences from deep in the remix the same, andrea focuses track in break style, including grooving incisive and very present.
vinyl: 180gr transparent green, clear & black mixed.

eshu records hits release number ten with a new ep from the in-house production collective made up of jocelyn abell, ivano tetelepta and daniel lekatompessy. fraktur features six tracks of stripped back house and techno that are all atmospheric and heady. opener winter track is a smooth and rolling dub techno number that is grainy and economical yet hugely absorbing thanks to its circling synth details and woody drums. creating moods is even more expansive and spacious, with gently swirling pads enveloping a soft, broken rubber kick drum. the title track is another expertly distilled, dry and heady groove with its frayed edges and warm analogue feel, then hello really flips the script with over driven jeff mills kicks and intergalactic synths bring a spooky sci-fi feel to proceedings. yorubaland is then a cosmic ambient interlude with fax tones bleeping and blipping as lazy pads smear out in the background and last of all core comes on strong with more quick and slick intergalactic techno carrying you off to some distant planet. this is another faultless ep from this fine dutch collective. pressed on 180 grams vinyl.

nice price deal !!! stump valley is a funny ol place

future sessions is proud to bring you a release from the owner and operator of finale sessions and one half member of the legendary balance recordings imprint with the legendary chez damier . so we will start you with the first track which is a remix of the classic track chez damier – never knew love with michael zuckers take on the track which gives it a real dancefloor driven sound with its funky guitar streams filled with filtered synth’s and perfect drum programming and then we get to the second track “wisdom and knowledge feat. maya angelou filled with her masterful poetry and michael zuckers pads and deeeeep bass and perfect drums gives it what it needs to flow streamingly then last but not least we have “jacobs ladder” with is smooths pads and it’s mesmorizing and hypnotic keys but the drums are the key to this track ..we want to thank you at future sessions for giving us the oppurtunity to do what we do and we thank you for the support.

barcelona based yakazi imprint proudly reaches its fifth installment in the form of a synergic collaborative release signed by chilean artists alexi delano and marcelo rosselot, counting also with canadian buchla wizard marc houle in the role of never-failing remixer. presented as a two sided release, and splitted in two original tracks plus marc houles remix, yakazi maintains its unwavering commitment to their core values, to move people through good music, prevailing fads and trends and strengthening the labels very own sonic identity. on this occasion, alexi delano, a close relative to the label that was also featured on label’s previous compilation, joins forces with his studio fellow marcelo rosselot building up “take me / it’s on me-, two finely-crafted excursions of heavy bass minimalism and dark vivacious techno based on subtle vocal samples, trippy synth-chords, and layered drum patterns constantly evolving throughout both progressions sounding uniformly fantastic, without falling into the obviousness of a long steady beat narrative and keeping in mind how to charm the dancefloor in style.

“shark wolf rabbit snake” is the 2012 album from veteran producer and sound designer eliot lipp, originally released on pretty lights music. this seminal project in lipp’s catalog effortlessly moves between hip-hop, drum & bass, funk, techno and jazz. the 12” lp is reissued for a limited time by detroit label young heavy souls and comes with download code included.

for the next volume of the long running turntables on the hudson series, we head down south to brazil to get a little dancefloor sunshine to warm up these cold winter months. the turntables on ipanema ep features four tracks on a 12inch from the digital compilation which will be dropping the same day on wonderwheel recordings. first up, brazil s dj g gives us samba da terra, a deep, jazzy brazilian house/samba fusion joint sure to get all the dancers on the floor. next, the ever prolific simbad comes through with the brand new detroit de janiero, a bangin track equally inspired by early motor city techno as the drum rhythms of brazil. on the flip side, nickodemus and simbad collaborate on berimboom another deep electronic house joint with an infectious bassline that percussively floats into rio. rounding up the ep, wonderwheel mainstay zeb comes with the slo-mo spacey dub house vibes of space forest.

repress ! via app and bank team up for her second ep, secret rotation. prepare for angular tones and her characteristic manic drum patterns. her style can be disruptive at times, and her approach to production intends to test listeners and djs alike.

nice price deal !!! the mega talent that is steve mac returns for the 3rd release on his smack label again with 2 killer tracks that don t disappoint. the a side - phoba is a sharply produced club killer with fat synth stabs and rolling bassline and instant feel. on the flip side we have rill which has aslightly deeper yet uplifiting feel with its shuffled groove andneat drum fills.

limited edition 7 inch.
the pre smiths mythical lost tapes have been found, restored, remixed and released for the first time in 35 years. featuring johnny marr, andy rourke, craig gannon and original drummer simon wolstencroft, the original pre morrissey line up recording has been augmented with the incredible vocal talent of soul and house legend angie brown.

nilamayé is a group of afro-colombian music. his repertoire is inspired by music related to water seas and rivers that have been synonymous with life, joy and interbreeding. with fresh exuberance of his voices, the warm tones of marimba de chonta, deep sounds of cununos and bombos, the brightness of guasas and maracas and rhythmic exuberance of alegre drum. nilamayé shares with listeners the contagious joy of the colombian people.

one of the holy grail of the minimal synth and one of the most obscure musical projects ever produced in italy is finally reissued on mannequin records. originally released in 1981 by broadbean records, a sub-label of lm records, flo & andrew only release take suicide was home-recorded and home-mixed by the duo in bologna, using early drum machines like the boss dr-55 and the korg kr-55, analog synthesizers, guitar, saxophone, tape loops. flo & andrew music is truly unique and exemplifies the fact that limitation can be the perfect source for creativity. the title-track and to committ suicid’ travel through contort and nervous synth sounds and loops, taking somehow inspiration from the no wave heroes, while japanese girls is nothing less than a beautiful minimal electronics track in the mythology of the futuristic rise of japanese country. recently (re)discovered, ‘take suicide’ is a milestone of the european minimal synth singles and is not really a coincidence that a young generations of producers take it as inspiration (you can see take suicide floating in the tracklist of artists as helena hauff and ngly). another must have in your collection / record bag! mastering by ruud 66.

forthright, razor sharp techno tracks running at a neck-breaking pace that will leave you breathless, remain neutral is all about the urgency and the purposely crafted indiscipline meant to make you twist your body in every directions. spoke throughout the feral scratches of overworked drum machines and the whiff distorted vocal samples taken from a tape found by chance, france via belgium s mehdi kernachi carries on with his exploration of the danger notion in electronic music -- borrowing as much to the slower, noisier industrial music of yesteryear as the speeded basement hysteria of rave culture -- applying the scorched-earth policy throughout his tracks.

newcastle-based producer traela makes his first appearance on wax with this on-point work out for hhatri, a london based label who have previously been happily working with the likes of soichi terada. there is definitely a sense of feel-good optimism and kinked drum programming hovering over this ep, especially on hanging over a river. you know i can hide also stands out with its strafing bass lick and spacescraping synth rolls, but the script gets flipped for ep closer uyokuthola as tribal percussion meets with an ambient atmosphere for a most engrossing end result.

die orangen, aka aussie producers dreems & kris baha are teaming up for the first time with 2 new unreleased jams under their new alias. slow and atmospheric, yet punching and grooving die orangen managed to meltdown genres into 100bpm 11 minute long trippy trancey bonanza with a substantial amount of jungle psychedelia and heavy drum machines. one day in sheperton is a more drum oriented industrial power house tune. with the diggerido and distorted voices coming in towards its 2nd half. this ep includes, as expected from the malka tuti crew, with awesome remixes by italian maestros fabrizio mamarella (of slow motion records) and alessandro adriani (of mannequin records), oodandatta rain is an ep that throws the listener back to the early days of partying in anjuna beach, when trance was not yet a genre, but a state of mind, and where the tribal element could be found in all sorts of bizzarre contexts and remote corners.

having done such wonderful work alongside wolf muller on the sound of glades album, cass makes a welcome return with an expansive album release on emotional response. the german producer s ambient tendencies blossom here, occasionally meeting with laconic drums as on u but primarily dealing in huge swathes of melody. djs will want to hold out for the dramatic pulse of ann, where a more pronounced drum set makes for one of the album s most club-ready moments. theres a strong variety of tones and moods across youth sessions, from the strafing arpeggios of running to the bliss-out shapeless swirl of prismatic prolog, and this ensures that the album will not dull with repeated listens.

the original track is an industrial and distortion experimental project of the owner label federico amoroso which contain a really metallic and dark sound. positive centre his remix it s a dark walk into industrial noise and distortion audio bites, with ambiental moment and powerfull distroy counter. the first track of b side it s remixed by italian producer plukkk which heavy dominating with relentless attitude and distortion driving kick - drum, with big impact for the dancefloor. the last remix is an collaboration with the japanese producer yuuki sakai which has an original idea to add a lyrical singer in the middle of distortion broken techno beat. the new label started well: arriving the big names of the genre and industrial noise skarn division label founder federico amoroso, a new label that will touch many different genres and musical nuances: techno, industrial, noise, drone, ambient and experimental, a melting pot of sounds joined together by a passion for harsh corners and futuristic electronics. artists who remix the first disc of the founder federico amoroso are positive centre (who played several times in places like berghain and tresor), plukkk and yuuki sakai: every producer knows that long in the field of industrial techno and noise music (just look, to name one, the presence of the same positive centre to the latest editions of the berlin atonal festival, or even yuuki sakai: remixed by oscar mulero .. and so on!)

one records continue their quest for the most up-to-the-minute house and tech-house tones, this time calling on bobby o donnell to step up to the plate with his groovesome wares. -e211- is a huge track, using swooping pads and a classic diva vocal lick to devastating effect - it s hard to imagine anyone resisting the emotional draw of this melancholic jam. -e131- meanwhile is a more cheeky affair, ramping up the funky drum programming and using a more minimal palette of sounds for decoration. john dimas then steps up to remix -e211- and turns it into a hard-bopping workout powered by a mean-tempered snare.

for selfless machines, t.wiltshire has fashioned a collection of intricate cuts on an analogue setup, fusing warm layered atmospheres, meandering synth motifs and dusty drum patterns. nestled comfortably between the living room and the dance floor, selfless machines is an engaging and wily mechanical mistress, hellbent on your attentions. a selection of six original linocut prints will be available, each built around the idea of man’s interwoven relationship with machines. some will be inserts within the vinyl sampler, some will make their way onto the cover.

c powers was raised in atlanta, georgia, usa. he lives in savannah, georgia. he is resident dj for performance art drag collective house of gunt. he has also been resident dj at clubnights cape fear in savannah, hunger in atlanta and no pain in pop in london. he works in a library and is cat dad to peppers, bucchi, and baby d. his releases include the oysters ep for proper trax in 2015 and the up neck ep for cgi records in 2014. he produced the single crow for the group 18+ (from their album trust) as well as songs on their album collect. fitness check shows c powers s experience as a dj as well as his growth as a producer. from the drum programs to the arrangements, it s obvious that the ep was written and produced by someone who can work a dancefloor. on wysh, which he says is an exit reaction to morose and morbid- techno, subliminal speech and warped vocal stabs transition from centered to alert. on fresco he dices and scatters a song over loops of itself, a technique he calls -a grey area between sampling and editing,i break it up into bits, resequence that shit then stuff that shit back into the track.js may get even more service from the wysh key beats and fresco beatapella versions, which give jacking rhythm tracks and sub-bass extra room to do their thing. the heavily dubbed ask less kick beats, lighter on drums but with a booming bassline, may prove useful as a set-opener or closer. the ep has been mastered for club play by helmut erler at dubplates & mastering, berlin.

scorched, extended, brutal analogue acid jams from andrew red hand! absolute fire and brimstone production with live take bursts of insane drum action and bubbling, crusted acid lines.

dj support comes from ben ufo, jon k and hodge. semtek returns with his first work since 2012, when he contributed 12inches to world unknown, awkward movements and in plain sight. in the meantime the cambridge-born, bristol-based producer and dj has been hard at work running his label don t be afraid, bringing through talent including mr beatnick and mgun. bad teeth consists of nothing more complicated than two complementary tracks for the dancefloor, inspired by bleep n bass, jungle and two-step. the title track rolls moody synths, metallic stabs and offbeat drums into a rugged uk house joint. jon of worcester twists similar elements around a broken groove, cutting between drum machine and breakbeats. both tracks feature rolling basslines tuned for maximum soundsystem pressure.

forty six knobs machine by unbroken dub is the first release from nikita zabelins label, resonance moscow. based in the russian capital, the label focuses on electronic music from towns and regions nationwide. unbroken dub is the stage-name of denis safiullin, well known to domestic audiences as a member of the hot wax team. that project comes from the industrial city of tyumen, sometimes called the hydrocarbon heart of russia. winter temperatures in the area can fall below 45c. denis is a long-standing aficionado of analog synths and continues to experiment with all manner of samples. those two trajectories produce a high level of originality, especially when he enlists the support of leading club figures from around the world. denis release for resonance moscow is excellent proof of this bold experimentation. all three tracks on forty six knobs machine use the rokton, an antique soviet drum synth.

italian duos nice7 & dirty channels join forces for the first time to deliver the acid induced feelings ep on crosstown rebels. the release features two exceptional originals with torontos nathan barato bringing his signature heavy sounds into play for the remix. nicola daniele and cesare marocco aka nice7 are amongst the latest italian stars to emerge in dance music. since 2005, the year in which the two of them paired up, they have released on labels like noir music, get physical, remote area, suara, defected and gruuv. dirty channels are simone & leme, who started working together in 2008 after long single dj careers. releases soon followed for big labels such as josh wink s ovum, hot creations sub-label hot waves and culprit la as well as licenses on several defected compilations. nathan barato worked his way onto the world stage with releases on the likes of cajual, saved and hot creations. 2016 also saw him as resident for jamie jones paradise at dc10 in ibiza. here he delivers a punchy remix to dominate the dancefloor, centered around a hefty bassline, tight drum patterns and slick vocal cuts.

creepin in plays with the gray areas that exist between genres, contrasting with the clarity of the digital synths and over saturated analog drums. next up ineffekt is acid electro cut with thrashing percussion held together with 808 drums. red alert is the only track with a vocal. classic roland drums, deep sub and hardware synths mixed with the hypnotic vocal overlays make this one for the freaks. sky pager is slow cooked mid 90 s jacking business, the kind i m known for. 808 trash pile is an acid hammer of a cut with the drum and synth doing a maniacal game of call and response.

larry and bell are two musos from the east and west of the atlantic, who met on a scuba trip in belize in 99. larry plays bongos, bell is on the organic sampler and echo pedal, and a local cast of musicians backed them up on guitar, double bass, and kick drum. after a few rum daiquiris and many spliff, these are the sessions whittled down to strictly the best of hits.

7th storey projects are delighted to present the extraordinarily talented tim reaper and dwarde - globex corp volume 1. featuring four untitled tracks of unadulterated hardcore-jungle from two of the scenes hottest young producers (along with help from transatlantic scene veteran dev/null) - from tips of the hat to the early work of photek, ltj bukem and jack smooth, to all-out timestretched-drum assaults - welcome to globex corp!

wilde calm records is proud to present a new ep of modern percussion edits from brooklyn producer boonlorm. this collection of reworks was started around the same time boonlorm began recording string figures, his album of prepared piano house music. it shares a similar sound to string figures rich combination of tonal, atonal and percussive timbres. by adding his raw drum programming to tease out the latent techno qualities in these modern percussion opuses, boonlorm once again pays homage to chicago, detroit, and the 20th century avant-garde.

the white man & the arab return with their fifth release, the exchange ep, further developing the sound that s made their previous four outings so alluring.informed by a range of cues that reflect the pairs influences, you can sense dub, ambient, minimal, a love for eerie melodies and raw deepness permeating from this ep’s start to finish. the a side kicks off with -on the floor- - a nod to the fact that the whole ep was crafted literally on the floor (the studio was in transition ) - signals what awaits the listener for the duration of the ep. moody pads, slowly progressing melodies and their signature syncopated drum patterns. -people say- follows next, instantly shifting up a gear - this is a solid dancefloor shaker with a simple but seriously effective bassline that will be lodged in your brain, a sharp hi-hat & clap combo and a disembodied, haunting vocal that chants along to the beat. flip the record over for the title track - -the exchange- - a reverb-drenched ethereal club cut that gets it s unstoppable sense of motion from the irresistible percussion workout, while the squelchy acid line adds that extra rawness. rounding off the ep -sideways- signals a distinct nod to detroit. no homage in sight though - it s been carefully distilled via their own signature processes resulting in a somewhat emotional, dubbed out track - perfect supplement for when you re starting to land back to earth

fit sound welcomes moscows ol to the label with his debut 12inch, lada passenger. three late night dance floor stompers that pay special attention to textures of percussion, woven with expert touches of melody and bass. essential tracks for the working dj from an artist that is clearly coming into his own!

rawax proudly welcomes alexander dorn aka credit 00 to the rawax family!
back in the days at the west-saxon highlands there was a missile, which marked the starting point. when credit 00 saw the legendary rocket rise on tetris’ final screen, it was the first time he became aware of electronic music at all. since then it actually hasn’t changed that much. he keeps pushing that buttons that belong to the impressive pool of music machines towered up next to his bed. after moving to dresden in 2000 to study fine arts, his passion for synthesizers and drum machines got nurtured through visits of dresden’s club-canalisation. he quickly made himself a name as a dj, who is just doing his own thing and got popular for that reason. as a part of the idealfun-crew he started hosting parties always in the twilight zone between legal and illegal. this led to “robo dance”, dresden’s only and (also for some other reasons) best electro club night featuring guests like dmx krew, luke eargoogle or imatran voima. the track credit made with randy barracuda of imatran voima has probably been created some time after the show. apparently, randy was not in good shape anymore and so “lebensraum” unmistakably bears credit’s hallmarks. for his own music he’s inspired by cannibal movies, number theory and birds. still, his music is not easy to pigeonhole. after all, he loves synth wave, electro, afro, kraut, kosmische, disco, italo, miami bass and other proto stuff – a lot of machine music.

after releases on fxhe, deeplabs, and planet-e, brian kage returns with “the arc ep,” a new record on his new label, michigander. “the arc ep” is dedicated to celebrating hopeful and inspiring times in the city of detroit. the arc - dark minor chord stabs emerge and echo around a solid concrete foundation of classic 909 style drum patterns and deep pulsating bassline hits. the structure builds until giving way to a break of lush symphonic strings that pay tribute to detroit in a nostalgic manner. the arc (stringless mix) has been crafted for creating and releasing cascades of tension in the darkest of warehouses. d drive – a saturated synth lead effortlessly bounces through two octaves in a classic groove that is unmistakably from an alternative universe where the 80s never ended. this feel-good jam will get even the toughest of crowds smiling and rocking out. transcending – this contemplative soundscape flings percussive hisses rippling through a deep melodic realm. an atmosphere of timeless synthesis provides reassurance that it was a great decision to come out wearing comfortable shoes and dressed to sweat.

the original soundtrack from the acclaimed documentary 808, chronicling the revolution sparked by the iconic drum machine. double 12 inch vinyl in gatefold sleeve with download code included.

fortuna records have gone all out and reissued one of the most insane, far out records to have ever come out of lebanon. originally released in 1980, raja zahr’s “drum sequence” is a ‘get crazy’, experimental disco monster, utilizing middle eastern percussion and analog synthesisers, so mind boggling they would keep any dancefloor begging for more. and there is more. two additional tracks of lebanese percussion madness by raja make this an essential triple banger previously known only to serious collectors with cash to burn. meticulously remastered for club use and approved by mr zahr himself, this crispy 12” is one for the freaks. so go on then.

the drum & bass heavyweight current value finishes up 2016 with his first solo release with the critical crew since his enormous “biocellulose” lp earlier in the year. this time notching up some extreme sounds for systems, volume 6 is another iron-clad addition to the series.

lissoms’ second offering is a sample-driven, lofi interpretation of classic house rhythms.
glowing melancholia locked by skippy, textured drum structures across four tracks. rough-hewn and nostalgic tropes shot through with a contemporary hue - one for the adventurous djs.

dryad lands on southern lights with the 2s2w ep, the debut release from the adelaide-based producer, showcasing booming rhythms, tough drum patterns and provocative sounds with the tracks “inside now” and “pressure”.
remixes come courtesy of annulled user who thoroughly reworks “inside now” into an epic apex and michal wolski, whose rework of “pressure” is a brooding, reflective affair.

die beiden multitalentierten musiker johannes brecht (diynamic) und christian prommer (sonar kollektiv) veröffentlichen mit -voix grave- ein novum auf dem sonst eher dancefloor-orientierten hamburger vorzeigelabel. die kollaboration ist ein atmosphärisches klassik-werk mit drum-echoes, gezupften violinen und emotionalem cello, das jeder für sich nochmal neu im clubkontext interpretiert, und mit dem sich für diynamic neue kreative horizonte eröffnen.

rp boo returns with ‘the ultimate rp boo’, showing off six brand new cuts that mix a range of styles with his vivid use of samples and improvised drum programming.